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#74-12 side I - Alexander Girard with Mickey Friedman and Dean Swanson Indexed Reclamation Copy (60 min 56 sec) 11-09-74 Track 1 o the Walker's relationship with Smithsonian Institute with regard to loaning pieces - folk art in US and Africa o how did Girard's fabrics originate - what has happened to them? o Girard's recent panels - working with Herman Miller's "Action Office" o Girard's role in the George Nelson film, "The Sample Lesson" - use of smells o (Girard's wife enters the room) - more on The Sample Lesson Track 2 o Girard's association with Herman Miller Co. in the 1950's - the origins of Herman Miller and the first fabric and furniture shows o Girard's background and education o how did Girard get into fabric? - Girard's Detroit years - moving to Santa Fe o Girard's foundation for the support of folk art Track 3 o Girard's initial work with Herman Miller and his use of fabrics o bad reproductions of old designs now dominate o quality of materials in residential vs commercial design o the economics and evolution of Herman Miller showrooms o critique of the current state of architecture and design Track 4 o the origins of the San Francisco showroom - designing Bob Blaich's house o other early projects in San Francisco - restaurant design o working with John Newhardt - Braniff and restaurant design - the Calder airplane o designing waiting rooms o collecting ideas and materials from around the world o "Day of the Dead" exhibit Track 5 o The Good Design Show in Detroit - the first exhibits of contemporary design o the role of Charles Eames and George Nelson in these early exhibits o was there documentation of these early shows? o printing techniques - special weaving, colors and dyes #74-12 side II - Alexander Girard with Mickey Friedman and Dean Swanson Indexed Reclamation Copy (35 min 22 sec) 11-09-74 Track 1 o Girard's use of natural fabrics o pillow and table cloth design and printing - use of floral patterns o Friedman discusses the layout of the upcoming Walker show o Girard's role in making panels for "Action Office" - the need for color o Girard's poster for "T & O" o critique of Rainbow Room in NY - use of Girard's panels - more on NY restaurants Track 2 o has the era of total design ended, comprehensive design o "fake" design, imitations of French, English - use of reproductions o more on restaurant design o design and its relation to architecture - Mummer's Theater in Oklahoma Track 3 o Girard's work on designing a home in Minneapolis - use of gates and shutters - working with Bill Gregory o working on the Miller house |
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